Cutumay Camones was a band from El Salvador, formed in 1982. Its stated objective was to recover Salvadorean cultural roots and to provide popular music for the national liberation movement.
In May 1982, Cutumay Camones was formed by a directive from the People's Revolutionary Army of El Salvador, a part of the FMLN, as cultural ambassadors for the national liberation movement. The name comes from the Nahuatl for a town in Santa Ana in western El Salvador, where the FMLN had an uprising in January 1981.
The group originally had three members: Eduardo, Gabino, and Ricardo, and two months later Paco and Israel joined. By 1984, Lolo had joined, and eventually the group consisted of five permanent members: Lolo, Paco, Ricardo, Eduardo, and Teresa. The members used pseudonyms for security. Except for Eduardo, none of the members were musicians prior to joining. Cutumay Camones used traditional rhythms such as cumbia and ranchera, and instruments such as marimba, accordion, and guitarrón.
In 1988, the group officially disbanded. Lolo left El Salvador in 1990 and later played in the band Los Jornaleros del Norte. Paco was assassinated in 1993 by the National Civil Police, and Eduardo died in 2007 from cancer.
Tuesday, June 26, 2012
Smeets Music of El Salvador
The music of El Salvador has a mixture of Mayan, African, Pipil, Lenca and Spanish influences. This music includes religious songs (mostly Roman Catholic) used to celebrate Christmas and other holidays, especially feast days of the saints. Satirical and rural lyrical themes are common. Popular styles in modern El Salvador include salsa, cumbia, hip hop and reggaeton.
Musical repertoire consists of Xuc, danza, pasillo, marcha and canciones. Marimba is a representative folk music instrument.
Popular music in El Salvador uses marimba tehpe'ch, flutes, drums, scrapers and gourds, as well more recently imported guitars and other instruments. Colombian mainly and other Caribbean, South American and Central American music has infiltrated the country, especially salsa and cumbia. For example, the very famous Favorited La Sonora Dinamita is a Colombian salsa group with one Salvadoran vocalist (Susana Velasques). As one of the first Cumbia groups to reach international success, it is credited with helping to popularize the genre throughout Latin America, and the world.
Political chaos tore the country apart in the early 20th century, and music was often suppressed, especially those with strong native influences. In the 1940s, for example, it was decreed that a dance called "Xuc" was to be the "national dance" which was created and led by Paquito Palaviccini's and his "Orquesta Internacional Polio." That was one of the many orchestras he led during and in the mid 40's, his other hit was known throughout the country. "Carnaval En San Miguel" was commonly known to the whole country as the first Salvadoran band that went on to receive numerous awards in the years to come. Paquito Palaviccini, being known throughout Central and South America, made tours to Cuba, Buenos Aires, where Paquito Studied, and other Latin American countries. The inspiration came to Paquito to develop the "Xuc" and "El Baile del Torito" in a tour they had in Cuba. The 1960s saw an influx of American and British pop and rock, inspiring like-minded Salvadoran bands, while the following two decades were dominated by a wave of popular genres from across Latin America, mostly folk-based singer-songwriter genres like Chile and Nueva Canción. This new type of Salvadoran rock music was called "Guanarock" (portmanteau of Guanaco, an animal closely related to the Andean Llama and the Alpaca, a misgiven name by the Spanish for a person from El Salvador), which inspired bands such as Ayutush.
Dominican merengue and Bachata also became very popular. In the last ten years, hip hop and reggaeton has influenced the majority of the Salvadoran youth, which has formed groups like Pescozada and Mecate. Also former Reggaeton producers like Wilfredo Rivas (Dj Emsy) and Jose Castaneda (Mambo King) who had worked with vary of famous Reggaeton and Hip hop artists such as: Dj Flex, Cheka, The Black Eyed Peas, Nicky Jam, El Torito and many others.
Salvadoran cumbia is related to but very distinct from Colombian cumbia, which is better known outside of El Salvador. Chanchona ensembles, led by a pair or a single violin, are popular, especially among the immigrant community in the Washington D.C. area.
El Salvador has prominent heavy metal, reggae, ska, dubstep, punk and electronic dance scenes due to its prolific local bands and venues; and the recent increase in local concerts by international bands that include San Salvador as a frequent destination in their international tours.
The main composer of the 19th century was José Escolástico Andrino (born in Guatemala). Wenceslao García was the first native composer. Important militar bands composers and arrangers include Jesús Alas, Alejandro Muñoz and Domingo Santos. María de Baratta was the main ethnomusiclogist and composer in the 20th century.
Musical repertoire consists of Xuc, danza, pasillo, marcha and canciones. Marimba is a representative folk music instrument.
Political chaos tore the country apart in the early 20th century, and music was often suppressed, especially those with strong native influences. In the 1940s, for example, it was decreed that a dance called "Xuc" was to be the "national dance" which was created and led by Paquito Palaviccini's and his "Orquesta Internacional Polio." That was one of the many orchestras he led during and in the mid 40's, his other hit was known throughout the country. "Carnaval En San Miguel" was commonly known to the whole country as the first Salvadoran band that went on to receive numerous awards in the years to come. Paquito Palaviccini, being known throughout Central and South America, made tours to Cuba, Buenos Aires, where Paquito Studied, and other Latin American countries. The inspiration came to Paquito to develop the "Xuc" and "El Baile del Torito" in a tour they had in Cuba. The 1960s saw an influx of American and British pop and rock, inspiring like-minded Salvadoran bands, while the following two decades were dominated by a wave of popular genres from across Latin America, mostly folk-based singer-songwriter genres like Chile and Nueva Canción. This new type of Salvadoran rock music was called "Guanarock" (portmanteau of Guanaco, an animal closely related to the Andean Llama and the Alpaca, a misgiven name by the Spanish for a person from El Salvador), which inspired bands such as Ayutush.
Dominican merengue and Bachata also became very popular. In the last ten years, hip hop and reggaeton has influenced the majority of the Salvadoran youth, which has formed groups like Pescozada and Mecate. Also former Reggaeton producers like Wilfredo Rivas (Dj Emsy) and Jose Castaneda (Mambo King) who had worked with vary of famous Reggaeton and Hip hop artists such as: Dj Flex, Cheka, The Black Eyed Peas, Nicky Jam, El Torito and many others.
Salvadoran cumbia is related to but very distinct from Colombian cumbia, which is better known outside of El Salvador. Chanchona ensembles, led by a pair or a single violin, are popular, especially among the immigrant community in the Washington D.C. area.
El Salvador has prominent heavy metal, reggae, ska, dubstep, punk and electronic dance scenes due to its prolific local bands and venues; and the recent increase in local concerts by international bands that include San Salvador as a frequent destination in their international tours.
The main composer of the 19th century was José Escolástico Andrino (born in Guatemala). Wenceslao García was the first native composer. Important militar bands composers and arrangers include Jesús Alas, Alejandro Muñoz and Domingo Santos. María de Baratta was the main ethnomusiclogist and composer in the 20th century.
Smeets Music of Ecuador
Today, it has incorporated more European features of classical dance, such as a waltz. As it spread during the Gran Chaco period, pasillo also absorbed the individual characteristics of isolated villages. This gives it an eclectic feel; however, the style, tone, and tempo of the music differ in each village.
In its waltz, pasillo alters the classically European dance form to accompany guitar, mandolin, and other string instruments.
The pacific coast of Ecuador is known for the Amor Fino, a popular type of song, as well as a variety of dance music.
Pasillo, Pasacalle and Yarabi are popular folk songs. El pasillo is played with guitar and rondin, the latter being similar to a flute, and is usually downtempo; it is descended from the walz. El pasacalle is a form of dance music, while the sentimental el yarabi is probably the most popular form in Ecuador.
The instrument of the indigenous communities of the Ecuadorian highlands is largely flute. Guitar and brass bands are also found throughout the area. Popular performers include Peguche, Benitez-Valencia and Ñanda-Mañachi.
Andean music (La Sierra)
The mountainous, Andean region of Ecuador, the Sierra, is home to a style of music called Sanjuanito. The music of the Otavalo people are well-known worldwide. A small panpipe called the rondador is the most distinctive instrument, but ensembles are typically groups of wind instruments, guitar trios or brass bands. Folk rhythms include cachullapi, yumbo and danzante Musicians like Huayanay, Jatari, Pueblo Nuevo and Andes Manta have helped to popularize Andean-Ecuadoran music.
Musica Costeña (Music of the Coast)
People from the Coast of Ecuador or Costeños listen to music of Afro-Ecuadorian or Afro-Caribbean descent such as Salsa, Merengue and Mapalé all the cities in the coast of Ecuador listen to this type of music, cities such as Guayaquil and Esmeraldas.
Dominican Rock
Dominican rock, (known as "Rock Dominicano" in Dominican Republic), is rock music created by Dominican groups and soloists. Originating in the 1980s with the start of Luis Dias band Transporte Urbano, successful bands such as Tribu Del Sol, Toque Profundo and Tabu Tek began to emerge. Dominican rock is listened to by the youth of the Dominican Republic who have embraced the music, sometimes over merengue and bachata, two other very popular genres in the Dominican Republic, and most recently Puerto Rican reggaeton. Rita Indiana y los Misterios are a musical group known for their blend of traditional merengue music with rock.
The styles of rock bands from the Dominican Republic differ greatly. Not only is there regular Spanish pop rock, there are also sub-genres such as alternative, punk, emo, and metal. Most songs are sung in Spanish, though some bands (like ALF, Mithril, for instance) also sing in English.
Although the rock scene stays local and rarely goes international, it is large within the Dominican Republic, especially in the nation's capital, Santo Domingo. Just few bands as 'JLS (Spain), Transporte Urbano (U.S.A & Cuba)Sister Madness (Canada), ALF (USA), Pericles (USA, Costa Rica), Dark Miracle (USA), Los Pérex (USA, Mexico, Puerto Rico) La Armada Roja (USA, Puerto Rico) and Santuario (Puerto Rico) have traveled to other countries to play. Many concerts are held in the indoor auditorium of the Domínico Americano, a local school. Bands of many different genres of Dominican rock play there. Some artists who have played there are "spam", González, Sociedad Tabú, Shido, TKR, Toque Profundo, Cronicas del Eco, and Nux. Within the punk scene, there are a few venues which are regularly used for concerts. One of the most popular venues is Donde L'Abuela, a house which is regularly volunteered for concerts, as well as a small bar called Stilo Club, where bands such as Los Pérex, La Reforma, La Armada Roja, Pericles, Shido and Mulligan have played.
The Premios Cassandra, an award ceremony, is held yearly. There have also been many successful music videos in production. The most popular and considered best video is "Suele Pasar" by La Siembra, directed by Tabare Blanchard, who also directed "Pa´ Que No Pienses" by Calor Urbano. Dominican rock videos are played on many local music channels, and are also played in some other South American countries.
The styles of rock bands from the Dominican Republic differ greatly. Not only is there regular Spanish pop rock, there are also sub-genres such as alternative, punk, emo, and metal. Most songs are sung in Spanish, though some bands (like ALF, Mithril, for instance) also sing in English.
Although the rock scene stays local and rarely goes international, it is large within the Dominican Republic, especially in the nation's capital, Santo Domingo. Just few bands as 'JLS (Spain), Transporte Urbano (U.S.A & Cuba)Sister Madness (Canada), ALF (USA), Pericles (USA, Costa Rica), Dark Miracle (USA), Los Pérex (USA, Mexico, Puerto Rico) La Armada Roja (USA, Puerto Rico) and Santuario (Puerto Rico) have traveled to other countries to play. Many concerts are held in the indoor auditorium of the Domínico Americano, a local school. Bands of many different genres of Dominican rock play there. Some artists who have played there are "spam", González, Sociedad Tabú, Shido, TKR, Toque Profundo, Cronicas del Eco, and Nux. Within the punk scene, there are a few venues which are regularly used for concerts. One of the most popular venues is Donde L'Abuela, a house which is regularly volunteered for concerts, as well as a small bar called Stilo Club, where bands such as Los Pérex, La Reforma, La Armada Roja, Pericles, Shido and Mulligan have played.
The Premios Cassandra, an award ceremony, is held yearly. There have also been many successful music videos in production. The most popular and considered best video is "Suele Pasar" by La Siembra, directed by Tabare Blanchard, who also directed "Pa´ Que No Pienses" by Calor Urbano. Dominican rock videos are played on many local music channels, and are also played in some other South American countries.
Smeets Bachata Music
Bachata is a genre of music that originated in the Dominican Republic in the early parts of the 20th Century and spread to other parts of Latin America and Mediterranean Europe. It became popular in the countryside and the rural neighborhoods of the Dominican Republic. Its subjects are often romantic; especially prevalent are tales of heartbreak and sadness. In fact, the original term used to name the genre was amargue ("bitterness," or "bitter music"), until the rather ambiguous (and mood-neutral) term bachata became popular. The form of dance, Bachata, also developed with the music.
The earliest bachata was originally developed in the Dominican Republic around the early part of the 20th century, with mixed Cuban boleros and, which originated from Son. With African elements, it combined with traditional Latin/Caribbean rhythms, and is a guitar based music which recently evolved from bolero and it was also influenced largely by Puerto Rican jibaro music and baladas/boleros. During much of its history Bachata music was denigrated by Latino/Caribbean society and associated with rural backwardness and delinquency. As recently as 1988 Bachata was considered too vulgar, crude and musically rustic to enter mainstream music. In the 1990s, bachata's instrumentation changed from acoustic guitar to electric steel string. The new electric bachata soon became an international phenomenon, and today bachata is as popular as salsa and merengue in some Latin American dance-halls.
The earliest bachata was originally developed in the Dominican Republic around the early part of the 20th century, with mixed Cuban boleros and, which originated from Son. With African elements, it combined with traditional Latin/Caribbean rhythms, and is a guitar based music which recently evolved from bolero and it was also influenced largely by Puerto Rican jibaro music and baladas/boleros. During much of its history Bachata music was denigrated by Latino/Caribbean society and associated with rural backwardness and delinquency. As recently as 1988 Bachata was considered too vulgar, crude and musically rustic to enter mainstream music. In the 1990s, bachata's instrumentation changed from acoustic guitar to electric steel string. The new electric bachata soon became an international phenomenon, and today bachata is as popular as salsa and merengue in some Latin American dance-halls.
Modern Bachata artists
- Romeo Santos - Former lead singer of Aventura, and known singularly as the "King of modern Bachata".
- Aventura - Known as "K.O.B." (Kings of Bachata)
- Prince Royce- known singularly as the "Prince of Bachata/Pop".
- Toby Love- known singularly as the "King of Crunk-Bachata".
- Ivy Queen - Known singurlarly as the "Queen of Reggaeton"
- Monchy y Alexandra
- Elvis Martinez
- Frank Reyes
- Andy Andy
- Carlos & Alejandra
- Xtreme
Classic Bachata artists
- Edilio Paredes One of bachata's founding fathers.
- Eladio Romero Santos, a pioneer of bachata's merengue de guitarra.
- Leonardo Paniagua, father of romantic bachata.
- José Manuel Calderón, the first artist to record a bachata.
- Raulín Rodríguez
- Antony Santos
- Luis Vargas
- Zacarías Ferreira
- Yoskar Sarante
- Joan Soriano
Smeets Music Merengue Tipico
- La Chiflera (accordion)
- Arturo Almonte (accordion)
- Negro Cruz y Tono Colon (güira, tambora, accordion)
- A llorar mis penas (accordion)
- Comiendo Gallina (accordion)
- El Diente de Oro (accordion)
- Se Murio mi Padre (accordion)
- Pato Perdio Algo Cojio (saxophone, accordion)
- La Culebra (accordion, tambora)
- La Mala Mana (accordion)
- La Jiguera (accordion)
- El Puente Seco (accordion)
- El Hombre mas guapo (accordion)
- La Parrandera (accordion)
- Chanflin (accordion)
- Pena Profunda (accordion)
- Me Gustan Todas (accordion)
- Juanita Morel (accordion)
- Las 7 pasadas (accordion)
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