While its origins are not clearly defined, it is considered[who?] to have Spanish and African influences, among others. The most widespread version of its origins relates it with the zamacueca which arose in Peru as a variation of Spanish Fandango dancing with criollo and African influences. The dance is then thought[who?] to have passed to Chile and Bolivia, where its name was shortened and where it continued to evolve. Due to the dance's popularity in the region, the Peruvian evolution of the zamacueca was nicknamed "la chilena", "the Chilean", due to similarities between the dances. Later, after the Pacific War, the term marinera, in honor of Peru's naval combatants and because of hostile attitude towards Chile, was used in place of "la chilena." The Marinera, Zamba and the Cueca styles are distinct from each other and from their root dance, the zamacueca.
Another theory is that Cueca originated in the early 19th century bordellos of South America, as a pas de deux facilitating partner finding.
The usual interpretation of this courting dance is zoomorphic: it tries to reenact the courting ritual of a rooster and a hen. The male displays a quite enthusiastic and at times even aggressive attitude while attempting to court the female, but the dance often finishes with the man kneeling on one knee, with the woman placing her foot triumphantly on his raised knee.
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